Another difference is that the Spiegelman's family is more(prenominal) better off financially at the beginning of their ordeal than the Samsas ar, and seem to be much more involved in life and its various pursuits. The Samsas, on the other hand, ar barely scraping by, entirely open of Gregor's income. In addition, the Samsas are a miserable lot emotionally, psychologically, and spiritually.
These family differences are in part due to the differences in the cultural milieux in which they get it on. Ethnic differences aside, the Spiegelmans are a much more outperform family in every way, whereas, far more socioeconomically constrained, the Samsas are an unhappy lot. Internally, the Spiegelmans are a much closer family than the Samsas and they aim together in every crisis, small or great.
For example, when Anja has the family's starting baby, she has a breakdown, and the family stands behind her and Art's father (Spiegelman 30-31). The entire book by Spiegelman is as much a tribute to the love of his parents for superstar another as it is a record of the horrors of the Nazi persecution of the Jews. afterwards all, Art's mother and father remain true and dedicated to superstar another throughout their suffering at the hands o
What the antagonistic forces of society do to the cardinal families is force them to be even more like they were beforehand those forces were unleashed. The transformation of Gregor divides the family even more than it was previously divided, while the horrors and oppression of the Nazi reign bring out even more cogently the loving connection which the members of the Spiegelman family have for one another.
Both stories shag be seen as commentaries on and critiques of the society in which the families live and struggle. Both societies are thoroughly dehumanizing, although in different ways.
In any case, both families are torn by affectionate and economic forces beyond their control. Their responses to those forces, however, stand in stark differentiate to one another.
The Samsas have little connection to maintain, for their love for one another, if it ever existed beyond Gregor's caring attention, was likely not well-set in the first place. If they share any cultural draw in the way that the Jewish Spiegelmans do, it is not apparent. The Samsas culture could be any culture in which human beings are drawn down and exhausted by dreary lives with little believe of change.
Unlike the Spiegelmans, who make every effort to remain a family and do so out of love for one another, the Samsas---except for Gregor himself---are self-centred individuals who care only if about themselves: "What really kept them from travel into another flat was rather their own complete hopelessness and the belief that they had been singled out for a misfortune such as had never happened to any of their relations or acquaintances" (Kafka 870).
In fact, Gregor himself is the only member of the family who is able to adapt to this terrible set of great deal: "He scuttled under the sofa, where he felt comfortable at once" (Kafka 856). When he is considering the removal of the furniture in his room, Gregor thinks, "He would certainly be able to crawl unhampered in all directions but at the price of shedding s
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